Since “Little Women” came out in theaters last month, a lot of the film’s drama has been taking place offscreen.
Want to reach an audience or change the world? Find the right partners. But first, let’s clear up a few misconceptions about the process.
We love the film “The Peanut Butter Falcon.” We also love the story of how the film came to be, which similarly involves friendship, adversity, and adventure—and we can’t help noticing that many of the principles that led to the film’s success hold true for any campaign to make an impact.
Think about it: How many times have you Googled something today? Google is said to process more than 63,000 queries per second, or 5.6 billion searches per day. Well, what if there were a way to harness the power of all that Internet searching to benefit the world?
It’s been two years since the Harvey Weinstein scandal broke, and the story is still unfolding.
TED talks have racked up billions of views and podcast downloads from audiences around the world. But the number of people who attend the annual TED (Technology, Entertainment, and Design) conference in person is only about 1,500, and Meredith, ProSocial’s CEO, has been fortunate enough to be among the attendees for more than a decade now.
“People go to the movies because they want to invest in the characters and in the relationships. They don’t go to the movies to learn about issues. But that doesn’t say that they can’t have both,” director Edward Zwick said recently.
Happy June and Pride Month! When it comes to LGBTQ+ stories onscreen, there’s a lot to celebrate.
It’s been described as “TV’s realest comedy,” “necessary viewing for the entire family,” “wildly funny and warm and bright,” “the most important show in Netflix history,” and simply “the most important show on TV.” Have you seen it?
It’s often part of our job at ProSocial to produce panel discussions, but recently, we also had the pleasure of being involved with one that we weren’t in charge of organizing. On February 9, our CEO, Meredith, was featured at a workshop for the Producers Guild of America (PGA), the first in a series from its Social Impact Entertainment Task Force.